I am interested in performance that includes multiple artistic media. In doing so, I will engage with the idea of a new Gesamtkunstwerk, wherein ‘digital opera’ may be defined in relation to live performance as the point at which the virtual meets, wrangles with, challenges, comments upon and interacts with the visceral. Exploring the relationship between complementation in Wagnerian theory (from Cook) and the opposing ontologies put forward by Dolan and Auslander, I will examine the way virtual animations and projections are integrated into the aesthetic values and directorial visions of particular theatrical works with specific reference to two works of musical theatre - The Woman in White (2005) and Sunday in the Park with George (2007 revival).
Prominently remarked throughout the day, their matching black suits or mourning habits index a fellowship of grief, which Joyce elaborates in a characteristically meticulous and multi-tiered fashion.In this article I seek to draw a relationship between Wagner's theory of the Gesamtkunstwerk as defined by Nicholas Cook in Analysing Musical Multimedia (1998), and the dialectic evident between ideas of embodied reception and the experience of the digital in live performance, as conceptualized by Jill Dolan and Philip Auslander. But no element of this extended and myriad parallelism, I submit, represents deeper structural grounds for the consubstantiality of Bloom and Stephen than their respective habits of mourning.
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The narrative convergence of the two protagonists functions as a formal correlative of a whole series of substantive thematic psychic and symbolic correspondences. Stephen's ``Allwombing Tomb'' Mourning, Paternity, and the Incorporation of the Mother in Ulysses J O S E P H VA L E N T E As we all know, the formal spine of Ulysses is the asymptotic father/son at-onement of Leopold Bloom and Stephen Dedalus, which begins with the dramatic counterpoint of the Telemachiad and the Bloomiad, and proceeds to stages of encounter, hallucinatory doubling, communion and, finally, a sundering. Joyce Studies Annual Fordham University Press Their bereavements share a like gender profile (both mourn the loss of a significant female other), a like familial complication (both sustain incestuous attachments to their lost object), an analogous generational profile (Bloom pines for the loss of a daughter, Stephen the death of a mother), an early morning mnemonic Prominently remarked throughout the day, their matching black suits or mourning habits index a fellowship of grief, which Joyce elaborates in a characteristically meticulous and multi-tiered fashion. Stephen’s “Allwombing Tomb”: Mourning, Paternity, and the Incorporation of the Mother in Ulysses Stephen’s “Allwombing Tomb”: Mourning, Paternity, and the Incorporation of the Mother in Ulysses
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